Presenting the second in our series of bespoke Ableton Live Instruments we bring to you Ethereal Voices. Developed over the last 3 months including the in depth recording of 3 separate vocalists, this incredibly unique, inspiring and flexible instrument offers a wealth of vocal based pads, leads, and textures right at your finger tips. Included are 6 Ableton Live instruments covering styles from single vowels and notes to processed vibrato moving vocal pads, oooh's, ooo's, ramping female phrases and so much more.
Each one offers something completely unique allowing your tracks to breath in an organic way that only a human vocal can allow. Enchanting And Playable Vocal Pads. How it works: Each vocal includes 2 separate FX versions offering a vast array of sonic possibilities as soon as you press a single note. Each of these effects have been mapped to a single macro that morphs from one effect to another showcasing the lush soundscapes that evolve and envelop each stunning vocal phrase.
FX Macro - Think lush, pitched reverbs, evolving granular delays, harmonizing synth FX and so much more. Each of these effects have been mapped to a single macro that morphs from one effect to another showcasing the lush soundscapes that evolve and envelop each stunning vocal phrase. FX Macro - Think lush, pitched reverbs, evolving granular delays, harmonizing synth FX and so much more. A macro controlled release dial allowing you to manipulate each sample from a lush, long vocal phrase to short vocal stabs that fit all genres and styles.
The Sounds: Ooohs - Classic female vocal sounds, perfect for pads and ambiences Ooooo - Slight vowel change that perfectly compliment the other palettes. Ramp - Pitching vocal moments. Something incredibly unique.
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The less emotion you use while speaking, the more different your voice will sound. The easiest way to notice the difference is by asking a question in monotone. When asking a question, the vast majority of people will end with a higher intonation. The same question can sound much different when spoken in a flat voice, without that final shift in tone. Alternatively, if people tend to say that you have a flat voice, practice speaking with more enthusiasm or emotion. Think carefully about what you say and change your intonation as you speak accordingly.
A good way to practice is with a simple phrase like "Yeah. On the other hand, an enthusiastic "yeah" will have a strong tone with a somewhat high pitch from start to finish. Pick an accent that fascinates you and study the way that it varies from your own way of speaking. Each accent is a little different, so you will need to thoroughly familiarize yourself with the quirks of each individual accent before you can speak in that accent convincingly.
Non-rhoticity refers to the practice of dropping the final "r" sound from a word. For example, "later" would sound like "lata" or "butter" would sound like "butta. This practice involves lengthening the short "a" sound.
Downloadable voice changer apps allow you to record your voice into your cellphone and play the words back using a filter that alters the sound of your voice. There are many different apps available. Some cost money, but others are free.
Search for downloadable text-to-speech freeware or software online. Once installed, type your words into the software text box and press the "Play" option to play your written words back using audio. Voice changing devices can be difficult to locate in stores, but you can easily find a novelty device for purchase online. Each device works differently, so you should check out the specifications to know what you are getting.
Most grant you the ability to change the pitch of your voice in different ways, and many novelty devices are portable. Some devices require you to pre-record your message, but others can be used to adjust your voice as you speak, transmitting the altered through a cell phone or other speaker.
Carefully read the instructions that come with your novelty voice changer to learn how to use it properly. If you want to change your voice to make it sound either higher or deeper, start by recording yourself so you'll know what approach to take. Use a recording device to capture the sound of your voice talking quietly, talking loudly, and singing.
How would you describe the sound of your voice? What would you like to change? Does your voice sound nasally or gravelly? Is it easy or difficult to understand what you're saying? Is your voice breathy or clear? Many people have a voice that can be described as "nasally.
This type of voice can sound grating to others as well as being difficult to understand. Make the following changes to eliminate that nasally sound : Make sure your breathing passages are clear. If you tend to have allergies or your nose is often clogged for other reasons, your voice is going to be stunted and nasally. Clear up your allergies, drink plenty of water and try to keep your sinuses clear. Practice opening your mouth wider when you speak.
Drop your jaw and enunciate your words lower in your mouth, rather than producing them in your soft palate. In order to correct a high voice, many people speak from the back of their throat to produce a falsely deep tone. It's hard to get the proper amount of volume when you're straining to speak from the back of your throat, so doing this produces a muffled, difficult-to-interpret voice. In addition, speaking from the back of your throat in an attempt to sound as though your voice is deeper than it really is puts strain on your vocal cords and can cause a sore throat and voice loss over time.
That can help you use more of the full range of your voice. In order to make your voice sound deeper and more full, it's necessary to speak through your "mask," which is the area comprised of both your lips and nose. Using your entire mask to speak gives your voice the best chance of sounding a bit lower and richer.
To determine whether you're speaking through your mask, touch your lips and nose as you speak. They should vibrate if you're utilizing the entire area. Breathing deeply and projecting from your diaphragm is key to having a full, rich, strong voice. When you're breathing deeply, your stomach should move in and out with each breath, rather than your chest rising and falling.
Practice projecting from your diaphragm by pulling your stomach in to exhale as you speak. You'll notice that your voice rings out loud and clear when you breathe this way. Doing breathing exercises in which you focus on deep breathing will help you remember to project from your diaphragm.
Once your air runs out, your lungs will automatically begin to inhale deeply in an attempt to satisfy your need for air. Pay close attention to how your lungs feel when you take a deep breath. Inhale comfortably and hold your breath for 15 seconds before exhaling. Gradually increase the amount of time you hold your breath to 20 seconds, 30 seconds, 45 seconds, and 1 minute.
This exercise strengthens your diaphragm. Laugh heartily, purposefully making a "ha ha ha" sound. Expel all the air from your lungs with your laugh, then inhale deeply and quickly. Lie on your back and place a book or solid object on your diaphragm. Relax as much of your body as possible. Pay close attention to the movement of your diaphragm, noting how the book rises and falls as you breathe.
Flatten your stomach as much as possible when you exhale, and repeat until you automatically expand and contract your waist with each breath. Inhale deeply while standing. Exhale, counting aloud from one to five with a single breath. Repeat the exercise until you are able to comfortably count from 1 to 10 on one exhale.
When you get the hang of speaking this way, you should be able to project so that your voice can be heard by people on the other side of the room without causing you to become hoarse. The human voice is capable of producing sound in a range of pitches.
Speak in a pitch higher or a pitch lower to temporarily change your voice. Pitch is altered in large part by the laryngeal cartilage. This is the movable piece of cartilage that rises and falls in your throat as you sing a scale: doh, re, mi, fa, sol, lah, ti, doh. Dropping the laryngeal cartilage drops your pitch and creates a more masculine sound. To speak in a lower voice, do exercises to relax your throat, like yawning or opening your mouth really wide from top to bottom.
De-noise manually Did you leave a lot of dead air time at the beginning of your recording? Leaving this dead air will also allow you to figure out important things, like how much noise you need to remove, and how to set the limit on what gets removed from your voice recording. In general, you should never apply any more noise reduction than you need, and recording the dead air will allow your DAW to find that magic number quickly.
De-noise intelligently Many DAWs will have a de-noise option where you can select sections of nothing but noise to train the program to remove the right stuff. Use the compressor Unlike your brain, your recording equipment will likely not know how to interpret wild swings in volume. A compressor can be used to prevent clipping in samples, as well as bring up the levels of quieter sounds in your voice recording. As always, record with the highest bit depth you can. If your voice recording looks like this, you need to use the compressor—or re-record.
See those really high peaks in your recording? If they get too high, they will exceed the allotted values for loudness in your track. Threshold The threshold is the point where you want the compressor to start bringing your peaks under control. Only sounds above that level will be compressed. You may want to play around with this a bit, but in general I use -6dB so I have more freedom to laugh on mic.
Play around with this, but be aware that you may want to cut up your speech track a bit if you want to use different measures. A slow attack time will run the risk of clipping, but it gives instruments like the snare drum more punch. A fast attack time might seem jarring if you were expecting a louder signal, and so on. Usually the system defaults will be fine. Instead, the compressor applies a reduction ratio to the signals in order to maintain some dynamics.
The ratio you select will be applied to only signals above the threshold discussed earlier. The greater the ratio you select, the more aggressively the compressor will reduce the peak levels. The lower the ratio you select will affect your audio less.
Hopefully that clears it up.
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